Adam Caruso contributes a review of Sébastien Marot's 'Taking The Country’s Side, Agriculture and Architecture' to Drawing Matter.
The book was formed from themes and ideas presented at the 2019 Lisbon Architecture Triennale. There Sébastien Marot gave a talk that discussed his work on the countryside, in relation to Rem Koolhaas’s Guggenheim exhibition, 'Countryside, The Future'.
Caruso explores the way Marot has approached architecture and agriculture's existence in the Anthropocene; offering similaritites and differences to Koolhaas's approach. Gathering an understanding of the future Marot believes we should aim towards; one of permaculture, through incorporation, negotiation, infiltration, and secession.
Photo © Trienal de Lisboa
An interview with Adam Caruso features in a new gta Verlag publication, Against and For Method. Edited by Jan Silberberger, the volume tries to tackle the deficiencies in studio teaching and proposes possibilities for integrating research approaches into teaching and practice.
A selection of Caruso St John's recent competition entries feature in Issue 103 of AV Proyectos. The issue includes prize-winning designs for the new AXA office building in central Zurich, the OLMA exhibition pavilion in St Gallen, and a pair of apartment buildings in Eggen, Lucerne.
A+ Sessions was launched last year to discover more about architects' approaches. Interviewing a range of international architects, A+ has shown the breadth of contemporary architectural thinking.
Adam Caruso answers a series of quick-fire questions, choosing between Robert Smithson or Gordon Matta Clark, painting or photography, and architecture or agriculture.
Adam Caruso contributes an essay to monumental_. The 'monumental' in the 21st century is seen as a questionable characteristic. Its dubious reputation resulting in its demise, particularly with urban planning. Dortmund Positions' first book in a series of symposium texts, tackles this issue with writing from Adam Caruso, Heike Hanada, and Wilfried Kuehn, among others.
Walsall, United Kingdom
31 March 2021
The Guardian is currently exploring the collections of British institutions, highlighting important artworks. From the New Art Gallery in Walsall, Julie Brown the collection's curator, analyses and celebrates Sally Ryan's sculpture 'The Martinique'.
Jesús Vassallo discusses the work of Caruso St John in his recently published book.
Epics in the Everyday: Photography, Architecture, and the Problem of Realism, sets out to write an alternative history of contemporary architecture and documentary photography, through a series of case studies that include Caruso St John's collaborations with Thomas Demand.
Caruso St John's Falconhoven apartment building is reviewed in the February edition of Architecture Today. Tom Avermaete explores the project's effect on the city through its materiality, details and references.
Canterbury, United Kingdom
The Architects' Journal has published a detailed building study of Caruso St John's new organ loft for Canterbury Cathedral. The article follows the project from competition entry to construction, with insights from Peter St John and Project Architect, Will Pirkis.
In December's edition of Casabella, Francesco Dal Co discusses the development of Europaallee in central Zurich, focusing on Caruso St John and Bosshard Vaquer's mixed-use building, its neighbour, designed by Graber Pulver, and the influence of modern Milanese architecture on both buildings.