Adam Caruso contributes a review of Sébastien Marot's 'Taking The Country’s Side, Agriculture and Architecture' to Drawing Matter.
The book was formed from themes and ideas presented at the 2019 Lisbon Architecture Triennale. There Sébastien Marot gave a talk that discussed his work on the countryside, in relation to Rem Koolhaas’s Guggenheim exhibition, 'Countryside, The Future'.
Caruso explores the way Marot has approached architecture and agriculture's existence in the Anthropocene; offering similaritites and differences to Koolhaas's approach. Gathering an understanding of the future Marot believes we should aim towards; one of permaculture, through incorporation, negotiation, infiltration, and secession.
Photo © Trienal de Lisboa
Models created for the 2018 Alternative Histories exhibition donated to the Architecture Foundation, were auctioned at the end of March. The twenty-six architectural models, including Caruso St John and Siw Thomas' ceramic model based on Hans Poelzig's sketch for the Stadthaus, Dresden, raised over £6,000 for their New Architecture Writers programme.
Adam Caruso was interviewed for OASE Journal's edition on modernity. Emailing with the issue's editors, Tom Avermaete and Hans Teerds, he discusses the nuances of what it means to be 'modern' and how to engage with a cities architectural codes and conventions while adding to its definition of history.
The exhibition Sigurd Lewerentz: Architect of Death and Life opens in October at ArkDes, Stockholm. To mark the occasion Gagosian director Mark Francis spoke with Adam Caruso, Kieran Long, director of ArkDes, and Swedish arts critic Anna Nittve. They discussed the extent of the exhibition's research and design, as well as the enduring legacy of Lewerentz. The interview features in the Fall 2021 edition of Gagosian Magazine.
Peter St John was interviewed by Veronica Simpson about the practice's renovation work at Hospitalfield House in Arbroath. They discussed the recently completed Café and Fernery, alongside the future plans for the arts centre.
An interview with Adam Caruso features in a new gta Verlag publication, Against and For Method. Edited by Jan Silberberger, the volume tries to tackle the deficiencies in studio teaching and proposes possibilities for integrating research approaches into teaching and practice.
A selection of Caruso St John's recent competition entries feature in Issue 103 of AV Proyectos. The issue includes prize-winning designs for the new AXA office building in central Zurich, the OLMA exhibition pavilion in St Gallen, and a pair of apartment buildings in Eggen, Lucerne.
Published this month is Sigurd Lewerentz, Architect of Death and Life. The monograph covers both his built and unrealised designs; from retail spaces, churches, cemeteries and landscapes, to exhibition architecture, graphics, product design, furniture and interiors.
The comprehensive book coincides with ArkDes' exhibition of the same name. Caruso St John has designed the exhibition, which opens in October this year.
A+ Sessions was launched last year to discover more about architects' approaches. Interviewing a range of international architects, A+ has shown the breadth of contemporary architectural thinking.
Adam Caruso answers a series of quick-fire questions, choosing between Robert Smithson or Gordon Matta Clark, painting or photography, and architecture or agriculture.
Adam Caruso contributes an essay to monumental_. The 'monumental' in the 21st century is seen as a questionable characteristic. Its dubious reputation resulting in its demise, particularly with urban planning. Dortmund Positions' first book in a series of symposium texts, tackles this issue with writing from Adam Caruso, Heike Hanada, and Wilfried Kuehn, among others.