Peter St John was interviewed by Veronica Simpson about the practice's renovation work at Hospitalfield House in Arbroath. They discussed the recently completed Café and Fernery, alongside the future plans for the arts centre.
Photo © Pauline Sauter
Related news
Director Rod Heyes and Project Architect Paula Schilliger present the practice’s masterplan for Hospitalfield House in Arbroath, Scotland, as part of the Architecture Foundation's series of talks exploring the typology of the artist's studio.
Caruso St John have completed renovation work on the fernery and glasshouse at Hospitalfield House in Arbroath, which opens to the public today. This is the first phase in the wider redevelopment of the Category A listed arts centre.
Caruso St John have been appointed architects for the development of Hospitalfield Arts in Arbroath, Scotland.
Caruso St John have four drawings in this year’s Summer Exhibition at the Royal Academy, curated by the artist Alison Wilding under the theme 'Climate'. The exhibition opens on the 21st June.
Hospitalfield features in the third issue of Alder, a publication documenting Scotland's modern architecture, produced by the office of Mary Arnold-Forster.
Rowan Moore includes the new studio building at Hospitalfield features in his top five projects of 2024, calling it "a playful, expressive structure in which fun is had, in the tradition of Arts and Crafts architecture, with eaves, gutters, cladding and other basics of building".
Caruso St John are guest editors of Baumeister's annual curated issue. The issue is conceived as a reader, presenting a series of texts that have influenced the practice's recent thinking, including writing by Material Cultures, Grace Ndiritu, Barbara Buser, and David Holmgren.
St Pancras Campus is reviewed in the December issue of the Architects Journal. Rob Wilson visits the building with Peter St John and Rod Heyes and discusses its position in the emerging cityscape between the railway land of King Cross and the Victorian terraces of Camden Town.
This second volume in Caruso St John’s Collected Works is published this month by MACK. The publication traces an interlacing set of themes through the practice’s work over the first twelve years of the twenty-first century. Its unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape the practice's relations to the materiality and drama of space.
Owen Hatherley takes an in-depth look at the first two volumes of Caruso St John's Collected Works for Sidecar, the blog of the New Left Review, charting the practice's origins in 1990s London and its 'principled refusal' of the tenets of the so-called starchitects that rose to prominence during that decade.
A+U magazine has published a second issue dedicated to the work of Caruso St John. The publication covers projects undertaken since 2015, with a particular focus on the practice's work with existing structures.
Publication
Mount Royal
Adam Caruso
In a publication presented by ETH Studio Jan De Vylder, Adam Caruso reflects on his experiences growing up in Montreal and family visits Mount Royal, the mountain located directly west of downtown and one of the city’s largest green spaces.