Volume 3 of Caruso St John’s Collected Works is out now. Between 2010 and 2020, Caruso St John expanded its reputation for sensitive and characterful architecture through a remarkable range of projects. Major buildings in the heart of Swiss, German, and Belgian cities explored the role urban landmarks can play in the present day, while smaller domestic projects provided the opportunity for experiments in restoration, materials, and colour. Transforming buildings for reuse – from beloved public institutions to long-abandoned industrial sites – became a focal point for the practice as it sought to emphasise its work with the existing rather than contribute to the escalating production of new construction. Their designs for memorials, exhibitions, and museums further developed this engagement with memory and an aliveness to the past.
The third volume of Caruso St John’s acclaimed Collected Works series covers this prolific period via a sequence of resonant themes. Projects are presented with extensive drawings, photography, and new commentaries, interleaved with competition entries, contemporary reviews, and material that inspired and informed the architects, including texts by Elizabeth Wilson and Grace Ndiritu and references from Alberti to Roger Diener and Pissarro to the Bechers. As a retrospective, the book is reflective, allusive, and critical, engaging with urgent contemporary questions while offering a close encounter with the mature work of one of the world’s most significant architecture practices.
Images © Mack Books.
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Gavin Hale-Brown, architect and co-founder of Henley Halebrown, reviewed Caruso St John's Collected Works Volume 3 2010-2020 for BD Online. He reflects on the book's thematic arrangement of projects, found texts and contemporaneous interviews, noting how it draws the reader into a literary game of connections across the decade.
'It is hard to think of another practice that has managed to maintain this level of rigour and invention without becoming a brand.'
Book launch & talk, Berlin
Caruso St John: Collected Works Volume 3, 2010–2020
Thomas Demand & Adam Caruso
Buchhandlung Walther König, Berlin
10 April 2026, 7pm
Adam Caruso will be in conversation with artist Thomas Demand at the Buchhandlung Walther König an der Museumsinsel in Berlin, to celebrate the release of Collected Works: Volume 3 2010–2020. Free to attend.
Book launch & talk, London
Collected Works: Volume 3, 2010-2020
Adam Caruso, Peter St John & Owen Hatherley
ICA, London (sold out)
26 March 2026, 6:30pm
Adam Caruso and Peter St John will be in conversation with Owen Hatherley at the ICA in London, to celebrate the release of the book Collected Works: Volume 3 2010–2020, published by MACK Books. Tickets for the event are now sold out.
Book launch & talk, Zurich
Caruso St John: Collected Works Volume 3, 2010–2020
Salim Umar & Adam Caruso
Hochparterre Bücher, Zurich
19:00 CET 20th March 2026
Adam Caruso will be in conversation with Salim Umar to celebrate the release of Collected Works: Volume 3 2010–2020. Free to attend.
This second volume in Caruso St John’s Collected Works is published this month by MACK. The publication traces an interlacing set of themes through the practice’s work over the first twelve years of the twenty-first century. Its unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape the practice's relations to the materiality and drama of space.
The first volume of Caruso St John's Collected Works is published this month by Mack Books. The publication covers the first fifteen years of Adam Caruso and Peter St John's partnership, following a thematic course shaped around key phases and aspects of their thinking, and offering a detailed reflection on the practice’s activities between 1990 and 2005. Through a chorus of voices including critics, clients, and artists, it narrates Caruso St John's early emergence and development through to the international recognition which came with projects such as Nottingham Contemporary, the New Art Gallery Walsall, and the Brick House.
The Butterfield Student Center for Downing College, Cambridge features in the recent publication Building in Stone Today, written by architect and researcher Natalia Petkova. The book explores what the choice of stone in structure does to contemporary architecture.
A book launch and conversation with Hugh Strange will take place at the AA Bookshop in London on November 4th at 6pm.
In a recently published essay in Forum #2, Adam Caruso writes about gleaning in architecture and the need for architects to discover new ways of working with the structures and materials already present in our built environment.
Adam Caruso has been interviewed by architect and writer Nile Greenberg for the September issue of The Brooklyn Rail.
Opia Store Sihlstrasse is featured in french architectural magazine d'architectures. Issue n°335 focusses on workspaces/hotels/restaurants/shops.
A new publication about Hospitalfield is out now. Published by Fondazione Benetton Studi Ricerche on the occasion of the 34th Carlo Scarpa Prize for Gardens. The book tells the story of Hospitalfield, from its 13th century origins as a hospital to an art school founded by Patrick Allan Fraser, and to the current program of artist residencies and community programs.
Laboratorium, the calisthenics gym that is inside the Swiss Caruso St John headquarters, is published in About: Sportscapes, a magazine by About: platform.
When a big part of the office remained empty after the pandemic, an opportunity to turn the empty space into a gym arrived. Frida Grahn argues that this unexpected combination of uses - an architectural office and a work-out space - doesn't feel out of place, and demonstrates how design can enable diverse activities to co-exist.