Press
The Guardian
The New Gallery Walsall: Garman Ryan collection
Walsall, United Kingdom
31 March 2021
The Guardian is currently exploring the collections of British institutions, highlighting important artworks. From the New Art Gallery in Walsall, Julie Brown the collection's curator, analyses and celebrates Sally Ryan's sculpture 'The Martinique'.
'The Martinique' was gifted along with 15 other works to the Walsall gallery by Kathleen Garman in 1973. It is now the only public museum in Britain to feature Ryan's work.
The bust is one of the 365 objects held at the heart of the gallery, in an intimate wooden clad room by Caruso St John. The space reflects the personal tastes of its two female collectors and acts as a biographical legacy. "The stories of the people associated with the objects are at its core, and the themes of love, life, loss and dysfunctional families are universal."
Photo © The New Art Gallery Walsall. Sally Ryan (1916-1968), The Martinique, 1934, bronze, Garman Ryan Collection
Related news
Anniversary
New Art Gallery Walsall
Twenty years
New Art Gallery Walsall, United Kingdom
Thursday 20th February
Caruso St John Architects' first major project, the New Art Gallery Walsall, celebrates the twentieth anniversary of its opening this week.
Exhibition
The New Art Gallery Walsall celebrates its 10th Birthday
New Art Gallery Walsall, United Kingdom
11 February 2020
The occasion is marked by Party! an exhibition featuring an eclectic range of artists whose works are linked through broad reference to the party, a theme which extends across music, singing, dancing, greetings cards, food and drink, dress and decorations.
Hospitalfield features in the third issue of Alder, a publication documenting Scotland's modern architecture, produced by the office of Mary Arnold-Forster.
Rowan Moore includes the new studio building at Hospitalfield features in his top five projects of 2024, calling it "a playful, expressive structure in which fun is had, in the tradition of Arts and Crafts architecture, with eaves, gutters, cladding and other basics of building".
Caruso St John are guest editors of Baumeister's annual curated issue. The issue is conceived as a reader, presenting a series of texts that have influenced the practice's recent thinking, including writing by Material Cultures, Grace Ndiritu, Barbara Buser, and David Holmgren.
St Pancras Campus is reviewed in the December issue of the Architects Journal. Rob Wilson visits the building with Peter St John and Rod Heyes and discusses its position in the emerging cityscape between the railway land of King Cross and the Victorian terraces of Camden Town.
This second volume in Caruso St John’s Collected Works is published this month by MACK. The publication traces an interlacing set of themes through the practice’s work over the first twelve years of the twenty-first century. Its unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape the practice's relations to the materiality and drama of space.
Owen Hatherley takes an in-depth look at the first two volumes of Caruso St John's Collected Works for Sidecar, the blog of the New Left Review, charting the practice's origins in 1990s London and its 'principled refusal' of the tenets of the so-called starchitects that rose to prominence during that decade.
A+U magazine has published a second issue dedicated to the work of Caruso St John. The publication covers projects undertaken since 2015, with a particular focus on the practice's work with existing structures.
Publication
Mount Royal
Adam Caruso
In a publication presented by ETH Studio Jan De Vylder, Adam Caruso reflects on his experiences growing up in Montreal and family visits Mount Royal, the mountain located directly west of downtown and one of the city’s largest green spaces.
The Swiss Life Arena is reviewed in the March edition of Werk, Bauen Wohnen. Benjamin Muschg takes in the atmosphere at a sold-out game, as the ZSC Lions triumph over HC Davos, and describes the building's unconventional organisation and approach to minimizing energy consumption in use.
The Swiss Life Arena features in Swiss Performance 2023, Archithese's round-up of the best Swiss architectural projects from the past 12 months.