Students in studio Adam Caruso at ETH Zurich will spend their Spring semester investigating models for collective living.
'Charles Darwin’s On the Origin of the Species was based on its author’s observations of the natural world. Its emphasis on competition and on the evolutionary success of nature’s predators was also informed by Darwin’s experience of the competitive ravages of industrial England. The idea of a "social Darwinism" was used as justification by the 19th century industrial elite for the social damage that was inherent to the industrial economy. In the age of science, what was true for nature, they argued, was equally true for the political and the social. Critiques of the apparent determinism of Darwin’s theory emerged as soon as his book was published, and a particularly eloquent and comprehensive response, Mutual Aid – A Factor of Evolution was published by Peter Kropotkin at the end of the 19th century. Based on observations, and more pragmatic than ideological, the book describes how widespread and important, mutually beneficial cooperation and reciprocity are in both the animal kingdom and within the history of human societies.
This semester we will make detailed plans for living together. We will imagine ourselves freed from the false dogma of social Darwinism, in a place where essential tasks like caring for people, growing food and living in balance with our environment, are more important than non-essential activities like banking and academia. We will study models of mutual aid in the human, animal and vegetal worlds through references that are modest in size but that engage with matters of material, technique and society altogether, acknowledging that these are different facets of large and necessarily interconnected systems. Some of our references, like the Shaker community of Mount Lebanon are historic, some like the Chelsea Hotel are urban, others like Melliodora in Australia are ongoing experiments. Withdrawing from the centre, these settlements seek out the space and the time to make societies that could be more equitable, providing alternatives to the mainstreams of their time. With a range of principles and techniques, from forms of governance to methods of upcycling and spatial experimentation, we will work on a series of sites in and around Zurich, considering programme and material, human and animal inhabitation, allowing a complexity of subjects of equivalent importance to inform the development of the designs.'
Main image: Rudolf von Laban and his students, Monte Verità, 1914
Images below, from left to right: The Shakers, New Lebanon, founded in 1747, Chelsea Hotel, BBC Arena, 1981, Melliodora - Hepburn Permaculture Gardens, founded in 1985
To mark the opening of Sigurd Lewerentz: Architect of Death and Life at ArkDes, Adam Caruso will be giving a lecture on the exhibition's design process, alongside his own relationship to Lewerentz and his legacy today.
Peter St John's studio at London Metropolitan University hosts their summer exhibition this week. The Dream of the Metropolis celebrates Unit 12's yearlong research through their site-specific artwork, Evil Queen and Lemon Tart.
13 May 2021
Project Architect James Hand discusses Caruso St John's Falconhoven Apartment Building as part of the Architecture Foundation's new series of online talks. The building, completed last year, forms part of an urban block designed in collaboration with Flemish architects Bovenbouw and ONO Architectuur, and Dutch architects Rapp + Rapp.
Caruso St John's Swiss Life Arena will host an Engadin Art Talk in the autumn.
The E.A.T programme this year will stage a range of virtual and in-person events under the theme of 'Longue Durée'; how we can interpret crises as opportunities for fundamental structural change.
Studio Adam Caruso, ETH Zurich
15–16 December 2020
Students from Adam Caruso's studio at ETH Zurich present their projects to guest critics including Lisa Fior (muf architecture/art, London), Summer Islam (Material Cultures, Studio Abroad, London), Dr. Marina Olsen (Karma International Gallery, Zurich), and Axel Simon (editor, Hochparterre).