Casabella Warehouse, Wiedikon

Casabella issue 932 focuses on timber, presenting an anthology of wooden constructions, including Caruso St John's newly completed renovation of a warehouse in Wiedikon, Zurich.

Federico Tranfa explores the 1940's industrial building's rooftop extension, looking at its combination of plywood and anodized aluminium, as well as its painted finish, in colours inspired by Sanzo Wada's Haishoku Soukan.

Photo © Philip Heckhausen.

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Adam Caruso will be in conversation with Casabella’s editor Federico Tranfa at the Theatro Milano for the magazine’s annual lecture series. The discussion will focus on the design process, exploring projects like the recently completed Swiss Life Arena.

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Completion

Warehouse, Wiedikon

Zurich, Switzerland

Caruso St John's work on a 1940’s industrial building has created new working and living spaces for a young family. The project lightly repairs the existing almost cubic building. The new construction is a new roof built almost to the limits of what is permitted by the planning regulations, a steep volume that rises up from the eaves along the street to make a new broad façade facing south towards the rear yard.

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Project update

Warehouse, Wiedikon

Zurich, Switzerland

The renovation of a 1940’s industrial building in Wiedikon nears completion, with the installation of its windows.

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Project update

New addition, Warehouse, Wiedikon

Zurich, Switzerland

The second floor of the Wiedikon Warehouse has been reorganised to welcome a new family member.

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Maik Novotny visits Caruso St John's Zurich office to discuss the new arena for the ZSC Lions ice-hockey team and, despite the scale of its most recently completed project, discovers the practice's long-term interest and growing commitment to projects that prioritise renovation and adaptive re-use over new construction.

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Owen Hatherley takes an in-depth look at the first two volumes of Caruso St John's Collected Works for Sidecar, the blog of the New Left Review, charting the practice's origins in 1990s London and its 'principled refusal' of the tenets of the so-called starchitects that rose to prominence during that decade.

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A+U magazine has published a second issue dedicated to the work of Caruso St John. The publication covers projects undertaken since 2015, with a particular focus on the practice's work with existing structures.

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This second volume in Caruso St John’s Collected Works is published this month by MACK. The publication traces an interlacing set of themes through the practice’s work over the first twelve years of the twenty-first century. Its unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape the practice's relations to the materiality and drama of space.

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Published by Mack Books, The Triple Folly presents an account of the collaboration between Thomas Demand, Caruso St John, and textile manufacturers Kvadrat, which led to the construction of the new pavilion at Kvadrat's headquarters in Ebeltoft, Denmark.

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In a publication presented by ETH Studio Jan De Vylder, Adam Caruso reflects on his experiences growing up in Montreal and family visits Mount Royal, the mountain located directly west of downtown and one of the city’s largest green spaces.

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The Swiss Life Arena is featured in Casabella 944. Federico Tranfa introduces the project and discusses its key references – the ruins of an ancient mosque in Syria and the 18th century Guards Tent in the gardens of the summer palace at Drottingholm in Stockholm.

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The Swiss Life Arena is reviewed in the March edition of Werk, Bauen WohnenBenjamin Muschg takes in the atmosphere at a sold-out game, as the ZSC Lions triumph over HC Davos, and describes the building's unconventional organisation and approach to minimizing energy consumption in use.