Published by Mack Books, The Triple Folly presents an account of the collaboration between Thomas Demand, Caruso St John, and textile manufacturers Kvadrat, which led to the construction of the new pavilion at Kvadrat's headquarters in Ebeltoft, Denmark.
The publication presents images of the completed buildings alongside a series of illustrated conversations between Adam Caruso, Thomas Demand, Frank Gehry, Denise Scott Brown, architect Emilie Appercé, Kvadrat CEO Anders Byriel, and curator Valerie Verhack,
A special three-volume edition includes facsimiles of two of Demand's sketchbooks, presenting the artist's development sketches, research and references for the project.
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Matthew Blunderfield interviewed Thomas Demand in his Berlin Studio for Scaffold Podcast. Alongside discussing his practice in reference to trauma, fiction and chance, they explore his relationship with architecture. When talking about his collaborations with Caruso St John on Nagelhaus and The Triple Folly, Demand explains his position as both close to and separate from the role of architects.
The pavilion at Kvadrat Headquarters is complete. The building, set in the coastal dunes surrounding the textile company’s headquarters in Ebeltoft, on the east coast of Denmark, is a design collaboration with the artist Thomas Demand.
Construction work continues on the Kvadrat Pavilion in Ebeltoft. The hospitality and conference space is a collaboration with artist Thomas Demand, located in the coastal dunes surrounding Kvadrat's headquarters.
M Leuven presents a major retrospective of the work of the artist Thomas Demand, featuring two works made by the artist in collaboration with Caruso St John: The unrealised Nagelhaus and the soon to be built pavilion at the headquarters of fabric manufacturers Kvadrat in Ebeltoft, Denmark.
Caruso St John are guest editors of Baumeister's annual curated issue. The issue is conceived as a reader, presenting a series of texts that have influenced the practice's recent thinking, including writing by Material Cultures, Grace Ndiritu, Barbara Buser, and David Holmgren.
Owen Hatherley takes an in-depth look at the first two volumes of Caruso St John's Collected Works for Sidecar, the blog of the New Left Review, charting the practice's origins in 1990s London and its 'principled refusal' of the tenets of the so-called starchitects that rose to prominence during that decade.
A+U magazine has published a second issue dedicated to the work of Caruso St John. The publication covers projects undertaken since 2015, with a particular focus on the practice's work with existing structures.
This second volume in Caruso St John’s Collected Works is published this month by MACK. The publication traces an interlacing set of themes through the practice’s work over the first twelve years of the twenty-first century. Its unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape the practice's relations to the materiality and drama of space.
Publication
Mount Royal
Adam Caruso
In a publication presented by ETH Studio Jan De Vylder, Adam Caruso reflects on his experiences growing up in Montreal and family visits Mount Royal, the mountain located directly west of downtown and one of the city’s largest green spaces.
The Swiss Life Arena is featured in Casabella 944. Federico Tranfa introduces the project and discusses its key references – the ruins of an ancient mosque in Syria and the 18th century Guards Tent in the gardens of the summer palace at Drottingholm in Stockholm.
The Swiss Life Arena is reviewed in the March edition of Werk, Bauen Wohnen. Benjamin Muschg takes in the atmosphere at a sold-out game, as the ZSC Lions triumph over HC Davos, and describes the building's unconventional organisation and approach to minimizing energy consumption in use.
Marco Biagi explores the approach of international practices to decommissioned industrial buildings. Citing a range of recently completed projects, including Caruso St John's Veemgebouw, he discusses the rise of adaptive reuse. Biagi explains through our urgent environmental crisis, the reuse of industrial plants and depots is more necessary than ever, offering a new challenging creative outlet for contemporary architects.