Casabella Sigurd Lewerentz, Architect of Death and Life

Casabella issue 936 features Caruso St John's exhibition design for Sigurd Lewerentz, Architect of Death and Life which opened in October last year at ArkDes.

Kieran Long explores the show, recounting Lewerentz work, as well as his own engagement with the architect. The exhibition continues until the 28th August 2022.

Photo by Adam Caruso.

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Adam Caruso will be in conversation with Casabella’s editor Federico Tranfa at the Theatro Milano for the magazine’s annual lecture series. The discussion will focus on the design process, exploring projects like the recently completed Swiss Life Arena.

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Exhibition

Sigurd Lewerentz, Architect of Death and Life

Stockholm, Sweden

Open until the 28th August 2022

arkdes.se

Sigurd Lewerentz: Architect of Death and Life is in its final weeks at Arkdes. The retrosepctive exhibition was designed by Caruso St John and curated by Kieran Long, Johan Örn and Lena Landerberg.

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Exhibition

Sigurd Lewerentz, Architect of Death and Life

Stockholm, Sweden

1st October 2021 - 28th August 2022

arkdes.se

Arkdes' Sigurd Lewerentz, Architect of Death and Life opens this Friday. The comprehensive exhibition has been curated by Kieran Long, Johan Örn and Lena Landerberg, and designed by Caruso St John.

Read more

Lecture

Caruso St John and Sigurd Lewerentz

Stockholm, Sweden

1st October

arkdes.se

To mark the opening of Sigurd Lewerentz: Architect of Death and Life at ArkDes, Adam Caruso will be giving a lecture on the exhibition's design process, alongside his own relationship to Lewerentz and his legacy today.

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The exhibition Sigurd Lewerentz: Architect of Death and Life opens in October at ArkDes, Stockholm. To mark the occasion Gagosian director Mark Francis spoke with Adam Caruso, Kieran Long, director of ArkDes, and Swedish arts critic Anna Nittve. They discussed the extent of the exhibition's research and design, as well as the enduring legacy of Lewerentz. The interview features in the Fall 2021 edition of Gagosian Magazine.

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Published this month is Sigurd Lewerentz, Architect of Death and Life. The monograph covers both his built and unrealised designs; from retail spaces, churches, cemeteries and landscapes, to exhibition architecture, graphics, product design, furniture and interiors.

The comprehensive book coincides with ArkDes' exhibition of the same name. Caruso St John has designed the exhibition, which opens in October this year.

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Published by Mack Books, The Triple Folly presents an account of the collaboration between Thomas Demand, Caruso St John, and textile manufacturers Kvadrat, which led to the construction of the new pavilion at Kvadrat's headquarters in Ebeltoft, Denmark.

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The Swiss Life Arena is featured in Casabella 944. Federico Tranfa introduces the project and discusses its key references – the ruins of an ancient mosque in Syria and the 18th century Guards Tent in the gardens of the summer palace at Drottingholm in Stockholm.

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The Swiss Life Arena is reviewed in the March edition of Werk, Bauen WohnenBenjamin Muschg takes in the atmosphere at a sold-out game, as the ZSC Lions triumph over HC Davos, and describes the building's unconventional organisation and approach to minimizing energy consumption in use.

Marco Biagi explores the approach of international practices to decommissioned industrial buildings. Citing a range of recently completed projects, including Caruso St John's Veemgebouw, he discusses the rise of adaptive reuse. Biagi explains through our urgent environmental crisis, the reuse of industrial plants and depots is more necessary than ever, offering a new challenging creative outlet for contemporary architects.

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Maik Novotny visits Caruso St John's Zurich office to discuss the new arena for the ZSC Lions ice-hockey team and, despite the scale of its most recently completed project, discovers the practice's long-term interest and growing commitment to projects that prioritise renovation and adaptive re-use over new construction.

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Casabella issue 940 features a review Caruso St John's Complete Works, Volume I, published by Mack Books. Federico Tranfa commends the book's thematic collation of projects, found texts and commentaries, stating it is a 'courageous way to come to terms with the past, because it is not analysed a posteriori, but instead with the cultural context of the epoch of pertinence'.

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