The exhibition Sigurd Lewerentz: Architect of Death and Life opens in October at ArkDes, Stockholm. To mark the occasion Gagosian director Mark Francis spoke with Adam Caruso, Kieran Long, director of ArkDes, and Swedish arts critic Anna Nittve. They discussed the extent of the exhibition's research and design, as well as the enduring legacy of Lewerentz. The interview features in the Fall 2021 edition of Gagosian Magazine.
Image © ArkDes, Markuskyrkan, Björkhagen, Stockholm, c.1960, Pål-Nils Nilsson
Open until the 28th August 2022
Sigurd Lewerentz: Architect of Death and Life is in its final weeks at Arkdes. The retrosepctive exhibition was designed by Caruso St John and curated by Kieran Long, Johan Örn and Lena Landerberg.
Casabella issue 936 features Caruso St John's exhibition design for Sigurd Lewerentz, Architect of Death and Life which opened in October last year at ArkDes.
Gagosian's London shop opens 16th May. Designed by Caruso St John, the space in Mayfair's Burlington Arcade offers Gagosian publications, rare books, limited edition prints, exhibition posters and artist-designed objects. An exhibition space on the first floor will present a rotation of small exhibitions, artist takeovers and special collaborations.
To mark the opening of Sigurd Lewerentz: Architect of Death and Life at ArkDes, Adam Caruso will be giving a lecture on the exhibition's design process, alongside his own relationship to Lewerentz and his legacy today.
Published this month is Sigurd Lewerentz, Architect of Death and Life. The monograph covers both his built and unrealised designs; from retail spaces, churches, cemeteries and landscapes, to exhibition architecture, graphics, product design, furniture and interiors.
The comprehensive book coincides with ArkDes' exhibition of the same name. Caruso St John has designed the exhibition, which opens in October this year.
1st October 2021 - 28th August 2022
Arkdes' Sigurd Lewerentz, Architect of Death and Life opens this Friday. The comprehensive exhibition has been curated by Kieran Long, Johan Örn and Lena Landerberg, and designed by Caruso St John.
Owen Hatherley takes an in-depth look at the first two volumes of Caruso St John's Collected Works for Sidecar, the blog of the New Left Review, charting the practice's origins in 1990s London and its 'principled refusal' of the tenets of the so-called starchitects that rose to prominence during that decade.
A+U magazine has published a second issue dedicated to the work of Caruso St John. The publication covers projects undertaken since 2015, with a particular focus on the practice's work with existing structures.
This second volume in Caruso St John’s Collected Works is published this month by MACK. The publication traces an interlacing set of themes through the practice’s work over the first twelve years of the twenty-first century. Its unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape the practice's relations to the materiality and drama of space.
Published by Mack Books, The Triple Folly presents an account of the collaboration between Thomas Demand, Caruso St John, and textile manufacturers Kvadrat, which led to the construction of the new pavilion at Kvadrat's headquarters in Ebeltoft, Denmark.
The Swiss Life Arena is featured in Casabella 944. Federico Tranfa introduces the project and discusses its key references – the ruins of an ancient mosque in Syria and the 18th century Guards Tent in the gardens of the summer palace at Drottingholm in Stockholm.