The exhibition Sigurd Lewerentz: Architect of Death and Life opens in October at ArkDes, Stockholm. To mark the occasion Gagosian director Mark Francis spoke with Adam Caruso, Kieran Long, director of ArkDes, and Swedish arts critic Anna Nittve. They discussed the extent of the exhibition's research and design, as well as the enduring legacy of Lewerentz. The interview features in the Fall 2021 edition of Gagosian Magazine.
Image © ArkDes, Markuskyrkan, Björkhagen, Stockholm, c.1960, Pål-Nils Nilsson
Open until the 28th August 2022
Sigurd Lewerentz: Architect of Death and Life is in its final weeks at Arkdes. The retrosepctive exhibition was designed by Caruso St John and curated by Kieran Long, Johan Örn and Lena Landerberg.
Casabella issue 936 features Caruso St John's exhibition design for Sigurd Lewerentz, Architect of Death and Life which opened in October last year at ArkDes.
Gagosian's London shop opens 16th May. Designed by Caruso St John, the space in Mayfair's Burlington Arcade offers Gagosian publications, rare books, limited edition prints, exhibition posters and artist-designed objects. An exhibition space on the first floor will present a rotation of small exhibitions, artist takeovers and special collaborations.
To mark the opening of Sigurd Lewerentz: Architect of Death and Life at ArkDes, Adam Caruso will be giving a lecture on the exhibition's design process, alongside his own relationship to Lewerentz and his legacy today.
Published this month is Sigurd Lewerentz, Architect of Death and Life. The monograph covers both his built and unrealised designs; from retail spaces, churches, cemeteries and landscapes, to exhibition architecture, graphics, product design, furniture and interiors.
The comprehensive book coincides with ArkDes' exhibition of the same name. Caruso St John has designed the exhibition, which opens in October this year.
1st October 2021 - 28th August 2022
Arkdes' Sigurd Lewerentz, Architect of Death and Life opens this Friday. The comprehensive exhibition has been curated by Kieran Long, Johan Örn and Lena Landerberg, and designed by Caruso St John.
Marco Biagi explores the approach of international practices to decommissioned industrial buildings. Citing a range of recently completed projects, including Caruso St John's Veemgebouw, he discusses the rise of adaptive reuse. Biagi explains through our urgent environmental crisis, the reuse of industrial plants and depots is more necessary than ever, offering a new challenging creative outlet for contemporary architects.
17th December 2022
Maik Novotny visits Caruso St John's Zurich office to discuss the new arena for the ZSC Lions ice-hockey team and, despite the scale of its most recently completed project, discovers the practice's long-term interest and growing commitment to projects that prioritise renovation and adaptive re-use over new construction.
Matthew Blunderfield interviewed Thomas Demand in his Berlin Studio for Scaffold Podcast. Alongside discussing his practice in reference to trauma, fiction and chance, they explore his relationship with architecture. When talking about his collaborations with Caruso St John on Nagelhaus and The Triple Folly, Demand explains his position as both close to and separate from the role of architects.
Casabella issue 940 features a review Caruso St John's Complete Works, Volume I, published by Mack Books. Federico Tranfa commends the book's thematic collation of projects, found texts and commentaries, stating it is a 'courageous way to come to terms with the past, because it is not analysed a posteriori, but instead with the cultural context of the epoch of pertinence'.
Michael Schneider spoke to Jonathan Jaeggi of Hochparterre's Sach & Krach podcast, about the recently completed Swiss Life Arena. The two discuss the building's strong façade, its complex planning and construction alongside the importance of injecting humour into architecture.
Edmund Fowles, director of Feilden Fowles Architects, reviews Caruso St John's monograph published by Mack books. Discussing the books openness, he praises the presentation of projects and references alongside commentaries, a 'constellation of culture, memory, construction and emotion'.