Michael Schneider spoke to Jonathan Jaeggi of Hochparterre's Sach & Krach podcast, about the recently completed Swiss Life Arena. The two discuss the building's strong façade, its complex planning and construction alongside the importance of injecting humour into architecture.
Caruso St John designed the exhibition stand for Karma International Gallery at the Paris+ art fair. The Zurich based gallery showed a series of sculptures by Hans Josephsohn, among other works, at the first edition of the fair, the French version of Art Basel.
Caruso St John's Veemgebouw building is reviewed in the Architects Journal's Climate Crisis issue. Rob Wilson explores the project's respectful and flexible retrofit of the listed 1940s warehouse, part of the former Philips factory complex. The building now provides a mix of housing above a range of public and commercial spaces.
Book launch, London
Caruso St John: Collected Works
Volume 1, 1990–2005
AA Bookshop, London
18:00 19th October 2022
Adam Caruso and Peter St John will celebrate the publication of their Collected Works: Volume 1 1990–2005, by presenting two personal projects from the formative years of their practice; their homes at Swan Yard and Orleston Mews.
Book launch, Zurich
Caruso St John: Collected Works
Volume 1, 1990–2005
Erikastrasse, Zürich
18:00 CET 1st November 2022
Adam Caruso will be in conversation with curators Fredi Fischli and Niels Olsen to celebrate the launch of Caruso St John's Collected Works: Volume 1 1990–2005.
Caruso St John's Paulaner Housing project in Munich has been awarded the Callwey Award for Neighbourhood Development. The project on the Welfengarten in the Au-Haidhausen district of the city created 390 apartments for both private sale and social tenants, along with a crèche, kindergarten and retail.
Caruso St John's competition models for the Ascona Centre for Tourism and Culture and the Musée Cantonal des Beaux‑Arts Lausanne feature in an exhibition at the Cooper Union, New York.
Peter St John's London Met Unit will investigate the theme of Second Life. The term comes from the artist and social activist Theaster Gates, who states that almost everything can be reused. This is evident in his work which has involved collating discarded objects and materials, as well as salvaging and refurbishing whole buildings.
Students will look at the question of how to renew buildings; how construction can be less energy-demanding and creating systems where buildings are indivisible components in a regenerating ecological system.
Students in studio Adam Caruso at ETH Zurich will spend their Autumn semester working on a group of structures around Helvetiaplatz in Zurich. Through model-making and drawing students will engage with not only the adaptive reuse of existing buildings, but also how we can reframe the cultural value of them.
The pavilion at Kvadrat Headquarters is complete. The building, set in the coastal dunes surrounding the textile company’s headquarters in Ebeltoft, on the east coast of Denmark, is a design collaboration with the artist Thomas Demand.
Construction has completed on Caruso St John's redevelopment of the Veemgebouw, a former Philips factory building on Strijp S in Eindhoven. The monumental industrial site in the Brainport region of the city is now the centre of a lively urban environment.
The design repurposed the existing floors to create a varied mixed-use structure; including workspaces on the upper floors, a car-park and a food-hall on the ground floor. The project also included the addition of 38 rooftop studios and maisonettes.
The central slip form core of the St Pancras Commercial Centre is being poured. The process uses an efficient rig system to pour the concrete, and will take around 4 weeks to complete. Once the slip form is done horizonal slabs will be cast to make the structure rigid.
The Grosser Burstah in Hamburg is nearing completion. The scaffolding has been taken off at the top of the building, revealing the new terracotta cladding manufactured by NBK. The rest of the façade will be finished by the end of the year.
Exhibition
Sigurd Lewerentz, Architect of Death and Life
Stockholm, Sweden
Open until the 28th August 2022
Sigurd Lewerentz: Architect of Death and Life is in its final weeks at Arkdes. The retrosepctive exhibition was designed by Caruso St John and curated by Kieran Long, Johan Örn and Lena Landerberg.
Casabella issue 936 features Caruso St John's exhibition design for Sigurd Lewerentz, Architect of Death and Life which opened in October last year at ArkDes.
The Swiss Life Arena is in its final stages of work. The new home for the ZSC Lions ice hockey team will open to the public in Autumn 2022.
The mast has been craned into place on top of the Veemgebouw. The design features integrated LED lighting, continuing the local tradition for night time illuminations across the city's skyline. It echoes the mast that stood on top of the building in its previous incarnation as a factory for the Philips electrical company.
Peter St John's studio at London Metropolitan University hosts their summer exhibition next week.
Caruso St John have four drawings in this year’s Summer Exhibition at the Royal Academy, curated by the artist Alison Wilding under the theme 'Climate'. The exhibition opens on the 21st June.
Adam Caruso will be part of a discussion on the publication Design in Dialogue. The event will focus on how design is shaped through conversations across both practice and teaching. The round table will also include Freek Persyn, Charlotte Schaeben (51N4E, Newrope) and Veronika Harder (Harder Haas P.AG).
Caruso St John is celebrating the 10th Anniversary of its Zurich office. Established in 2011 by directors Michael Schneider and Florian Zierer as a site office for the practice's mixed-use building on Europaallee, the office has gone on to undertake projects including the Bremer Landesbank Headquarters, the new chancel at St Gallen Cathedral and the headquarters for the St Jakob Foundation, as well as the practice's largest project to date, the Swiss Life Arena.
Students from Studio Adam Caruso at ETH Zurich present their final projects to a panel of guest critics including Céline Bessire, Maria Conen, Fredi Fischli, Françoise Fromonot, Tine Milz, and Niels Olsen.
Director Rod Heyes and Project Architect Paula Schilliger present the practice’s masterplan for Hospitalfield House in Arbroath, Scotland, as part of the Architecture Foundation's series of talks exploring the typology of the artist's studio.
Renovation work continues at the Royale Belge in Brussels. The façade replacement of the tower has been completed, which replicates the original design but with an expanded insulation zone. Work on the podium façade is underway, with a series of new openings connecting it to the landscape. A large cut has been made in the base of the building making way for the new atrium and four new columns to support the existing diagrid roof have been added.