Nottingham Contemporary
Nottingham, United Kingdom 2004–2009
Client: Nottingham City Council
The commission for the Nottingham Contemporary was won in an invited competition organised by the City Council. The artistic ambition of the project, encompassing object-based visual art and time-based performance art, has its origins in the artist-run spaces of downtown New York in the late 1960s, and in the work of artists like Gordon Matta Clark and Trisha Brown, whose work was directly engaged with the spaces of the city.
The site for the new building is in a part of central Nottingham called the Lace Market, whose history and built form has parallels with the cast iron district of New York, giving the Centre a loose cultural connection to its wider site. The design sets out to offer a wide range of interiors within the new building, that have the variety and specificity of the found spaces of a factory or a warehouse. The intention was that the range of rooms challenge the installation and production of contemporary art, and offer new ways for artists, performers, and audiences to interact.
The gallery stands on a tightly enclosed site and against a steep cliff edge, and its form connects the higher and lower levels of the city. The exhibition galleries at the upper city level have generous rooflights that give the building a lively profile, as well as large windows that look out to the street. On the level below, set into the cliff, there is a large multi-functional space used for performances and exhibitions. The façades of green precast concrete with a deep scallop and occasional ornament, take inspiration from the nineteenth century buildings of Nottingham and, in particular, from the impressive façades of the Lace Market.
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Drawings
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Site plan
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Ground floor plan
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Mezzanine floor plan
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South elevation
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North elevation
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West elevation
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Cross section
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Long section
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External envelope of concave precast concrete panels with embossed cherry blossom lace pattern
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Central gallery reflected ceiling plan
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Central gallery roof coffer detail
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Detail plan of the North façade (Weekday Cross)
Façade fabrication
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Guaranty Building, Adler & Sullivan, 1896. Buffalo, New York, United States
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Nottingham Trent University (Lace Archive). Museum of Costumes and Textiles, Nottingham, United Kingdom
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Machine made Valenciennes Lace, 1847. Nottingham, United Kingdom
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Study model of precast cladding system
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Detail of concrete façade panel with lace patterns
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Production of precast cladding panels
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Detail of precast cladding panels with lace patterns
Related news
In Conversation
Adam Caruso at Nottingham Contemporary
Nottingham Contemporary, United Kingdom
4 October 2018
Adam Caruso will be in conversation at Nottingham Contemporary with Luke Jones and George Gingell from About Buildings + Cities. The event is free but booking is required.
Nottingham Contemporary presents the first UK retrospective of the works of Swiss architects and designers Trix & Robert Haussman. Caruso St John have conceived the design for the exhibition.
Nomination
2011 Mies van der Rohe Award
Nottingham Contemporary and Chiswick House Cafe have been nominated for the Mies van der Rohe Award, the European Union Prize for Contemporary Architecture.
Award
RIBA Awards 2010
Nottingham Contemporary and Downing College have won RIBA regional awards.
Adam Caruso will be giving a talk at Nottingham Contemporary as a part of the University of Nottingham and the University of Leicester's Narrative Space conference.
Panel Discussion
Adam Caruso, with Tom Dykhoff, Jonathan Hale, and Micheala Giebelhausen:
Architecture, Art and the Changing City
Nottingham Contemporary, United Kingdom
9 December 2009, 6:30pm
Discussion
Adam Caruso in conversation with Thomas Demand
Starr Auditorium, Tate Modern, London, United Kingdom
2 November 2009, 7pm
Chaired by Alex Farquharson, director of Nottingham Contemporary.
Credits
Location
Nottingham, United Kingdom
Date
2004-2009
Client
Nottingham City Council
Construction cost
£14m
Area
3,500 m²
Caruso St John Architects
Adam Caruso, Peter St John
Project architects
Adam Khan (2004-06),Bernd Schmutz (2009), Stephanie Webs (2005-09)
Tim Collett (External works, 2008-09), Christiane Felber (Fit out, 2009)
Project team
Christiane Felber, Adam Gielniak, Emily Greeves, Kornelia Gysel, Viktor Jak, Adam Khan, Ah-Ra Kim, Davih Kohn, James Payne, Sabine Rosenkranz, , Kalle Söderman, Frank Wössner
Collaborating artists
Matthew Brannon, Pablo Bronstein, Nathan Coley
Structural engineers
Arup, Elliott Wood Partnership
Services consultant
Arup
Cost consultant
Jackson Coles
Project managers
Jackson Coles, Mouchel, Segue Consultancy Ltd
Access consultant
David Bonnett Associates
Lace patterned façade
University of Derby, Nottingham Textile Museum, Trent Concrete
Theatre consultant
Charcoalblue Ltd
Main contractor
Sol Construction Ltd
Photography
Hélène Binet
Awards
RIBA Award
Selected Work, EU Mies van der Rohe Award
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